Contemporary Indigeneity seeks to bring attention to artists whose heritage is native to the Plains region, enhance knowledge of contemporary arts, and encourage consideration of the complexities of cultural identity, tradition, and modern life on the Plains. The exhibition displays a spectrum of contemporary visual art and fine craft from the Great Plains region with special emphasis on Native American culture. Submitted works were blindly reviewed by a panel of Great Plains Art Museum staff and Fellows of the Center for Great Plains Studies and evaluated on aesthetic and technical merit. Special guest juror Jaune Quick-to-See Smith awarded a number of exhibition prizes. Artists submitted artwork in media that ranged from oil, photography, quilting, beading, turquoise, ceramics, feathers, bone, wool, shells, mercantile ledgers, drywall, gold leaf, found materials, horsehair, and recycled wood. Techniques ranged from traditional craft (basket weaving, beading, metalwork, wood carving) to collage and photography. Twenty-six artists from 14 tribes, 14 states and two Canadian provinces were selected.
- Best of show ($1,500): Bert Tallman
- Best 3-D ($1,000): Susan Bigham
- Best 2-D ($1,000): Jerry Fogg
- Most Innovative Use of Media ($500): Shan Goshorn (award sponsored by Ho-Chunk, Inc.)
- Best Emerging Artist ($300): Colleen Friday (award sponsored by Ho-Chunk, Inc.)
- Viewer's Choice ($300): Liz Shea McCoy
- Great Plains Art Museum exhibition prize ($300): Gwen Westerman
- Honorable Mention ($25): Ron Yazzie
- Great Plains Art Museum Curator’s Choice Purchase Prize: Gina Adams
- Woodland Trails Art Gallery exhibition: Jerry Fogg
2014 awarding juror Jaune Quick-to-See Smith
Jaune Quick-to-See Smith was born at the Indian Mission on her reservation. She is an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana.
She received an Associate of Arts Degree at Olympic College in Bremerton Washington. She attended the University of Washington in Seattle, received her BA in Art Education at Framingham State College, MA and a masters degree in art at the University of New Mexico.Jaune Quick-to-See Smith is one of the most acclaimed American Indian artists today. She has been reviewed in most art periodicals. Smith has had over 100 solo exhibits in the past 40 years and has done printmaking projects nationwide. Over that same time, she has organized and/or curated over 30 Native exhibitions, lectured at more than 200 universities, museums and conferences internationally, most recently at 5 universities in China. Smith has completed several collaborative public art works such as the floor design in the Great Hall of the new Denver Airport; an in-situ sculpture piece in Yerba Buena Park, San Francisco and a mile-long sidewalk history trail in West Seattle and recently, a new terrazzo floor design at the Denver Airport.
Smith has received awards such as the Academy of Arts and Letters Purchase Award, NY l987; the Joan Mitchell Foundation Painters Grant 1996; the Womens Caucus for the Arts Lifetime Achievement 1997; the College Art Association Women's Award 2002; Governor’s Outstanding New Mexico Woman’s Award 2005; New Mexico Governor’s Award for Excellence in the Arts 2005. Art Table Artist Honoree, NY 2011; Visionary Woman Award 2011, Moore College, Phila. PA; Elected to National Academy of Art, NY 2011; Living Artist of Distinction Award, Georgia O’Keeffe Museum, 2012; Switzer Distinguished Artist 2012 and four honorary doctorates: Minneapolis College of Art and Design 1992; Pennsylvania Academy of Fine Arts 1998; Massachusetts College of Art 2003; University of New Mexico, Albuquerque 2009.
She is in the collections of the Museum of Modern Art, Quito, Ecuador; the Museum of Mankind, Vienna, Austria; The Walker, Minneapolis, MN; Smithsonian American Art Museum, Washington DC; the Museum of Modern Art, the Brooklyn Museum, the Metropolitan, The Whitney Museum, NY and the Victoria and Albert Museum, London.
Smith calls herself a cultural art worker which is also apparent in her work. Elaborating on her Native worldview, Smith's work addresses today's tribal politics, human rights and environmental issues with humor. Critic Gerrit Henry, (Art in America 2001) wrote: "For all the primal nature of her origins, Smith adeptly takes on contemporary American society in her paintings, drawings and prints, looking at things Native and national through bifocals of the old and the new, the sacred and the profane, the divine and the witty."
The Nebraska Arts Council, a state agency, has supported this program through its matching grants program funded by the Nebraska Legislature, the National Endowment for the Arts and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for information on how the Nebraska Arts Council can assist your organization, or how you can support the Nebraska Cultural Endowment.
Paul High Horse