
A Man. A Pile of Snow. And a Horse.
Senior Pete Storonsky buffs up one of his snow sculptures after a
weekend
of sun took its tollby Feb. 21, this and another horse located just
south of Andrews Hall were decapitated and listing. But 20 minutes of
shaping
and carving restored both steeds to full equine glory.
Storonsky spent a couple of hours each on Feb. 18 and 19 creating the
snow ponies, adding them to a body of work that includes a likeness of
DaVinci's
Last Supper, a Taj Mahal complete with minarets ("I was kind of
showing
off here," he said) and a winged angel.
The ephemeral nature of snow doesn't deter this artist.
"People like them, and I get enthused over that," he said.
"I don't for care them getting run over by vehicles, though."
Storonsky said that previous horse sculptures had been flattened by
vandals
driving through his yard.
The former computer science major has switched to art. He thinks he
will
probably work in a more permanent medium than snow, however.

The Carnegie Hall Jazz Band is led by Jon Faddis, Music Director.
Ellington, Armstrong Featured
Composers
Carnegie Hall Jazz Band Presents Tribute of Greats
Jazz fans are in for a special treat as The Carnegie Hall Jazz Band
makes
a return appearance to the Lied Center for Performing Arts at 7 p.m. Feb.
27. Under the direction of Jon Faddis, The Carnegie Hall Jazz Band will
be performing Jazz Genius of the 10th Century: Ellington and Armstrong
a tribute to jazz legends Duke Ellington and Louis Armstrong.
Since its debut in 1992, The Carnegie Hall Jazz Band has earned a
reputation
as one of the most important ensembles in the jazz world. Equally known
for its new arrangements as well as tributes to jazz legends, The
Carnegie
Hall Jazz Band performs an annual series at its namesake, Carnegie Hall,
and tours nationally and internationally.
For the Lied Center performance, the band will present new
arrangements
of Duke Ellington standards such as "Choo, Choo" and
"Delta
Bound" and Louis Armstrong classics including "What a Wonderful
World," "Stardust" and "Ain't Misbehavin'."
Music director Jon Faddis is an accomplished trumpeter who began
playing
at age eight in his hometown of Oakland, Calif., inspired by a television
appearance of Louis Armstrong. Jazz quickly captured his heart and Dizzy
Gillespie became his hero. Faddis' devotion to jazz and musical skill led
to a meeting with Gillespie and by his mid-teens, Faddis had even sat in
with his hero's combo.
After graduating from high school, Faddis joined Lionel Hampton's band
as a featured soloist. This exposure led to invitations from numerous
groups
to play or record with them. During this same period, Faddis studied at
the Manhattan School of Music.
By age 20, Faddis was already an acclaimed musician earning praise
from
established artists and critics, as well as numerous fans around the
world.
His distinctive trumpet sound has been featured on albums as diverse as
Duke Ellington, The Rolling Stones, Aretha Franklin, Luther Vandross,
Quincy
Jones, Billy Joel and Paul Simon. His horn was heard on the theme of
"The
Cosby Show" and the soundtracks of the Clint Eastwood films The
Gauntlet
and Bird.
In addition to his extensive performing schedule, Faddis is also
frequently
asked to direct musical groups as well as working as a composer and
educator
encouraging young musicians and nurturing the future of jazz.
As part of the Lied Center's ongoing education programming,
pre-performance
talks will be held in the Lied's Steinhart Room 55 minutes and 30 minutes
prior to curtain.
Tickets are $32, $28 and $24; half price for students. Call the Lied
box office at 472-4747 for ticket availability.

Trocks' Parody Points to Lighter Side of Serious Dance
Superb dancing with a comedic flair is the trademark of Les Ballets
Trockadero
de Monte Carlo, performing at the Lied Center for Performing Arts at 8
p.m.
Feb. 29.
Les Ballets Trockadero de Monte Carlo, an all-male comic ballet
company,
dances a fine line between high art and high camp. The Trocks are a group
of ballet enthusiasts who lovingly parody the form in hopes of poking
holes
in the serious world of ballet and making dance more accessible to mass
audiences.
While their aim may be to make audiences laugh, the Trocks are
talented
professional dancers, who amaze audiences with graceful movements usually
reserved for beautiful ballerinas. Each member has the training and
experience
that would qualify him to be a principal dancer in a major ballet
company.
Every Trock portrays both a male and female dancer with wacky stage
names
such as Fifi Barkova, Medulli Lobotomov and Igor Teupleze. Parodying
classical
works from Swan Lake to Giselle and the choreography of Isadora Duncan,
George Balanchine and Martha Graham, the Trocks create a humorous show
that
appeals to dance lovers and novices alike.
Since the formation of Les Ballets Trockadero de Monte Carlo in 1974,
the group has become wildly popular with frequent national and
international
tours. On television, the Trocks have been seen in programs as diverse as
a special with Shirley Maclaine and with the Muppets.
Pre-performance talks begin 55 and 30 minutes prior to curtain in the
Steinhart Room.
Tickets for this performance are $36, $32 and $28; half-price for
students.
Call the Lied box office at 472-4747 for ticket availability.
Sheldon Offers Parallel Perspectives
Parallel Perspectives: Early 20th Century American Art, opening Feb.
25 at the Sheldon Gallery, features works drawn from two art museums
associated
with educational institutions.
More than 70 works from the Sheldon's collection and the collection of
the Addison Gallery of American Art runs through May 9.
Co-curated by Susan Faxon, associate director and curator of the
Addison
Gallery and Daniel Siedell, interim director and curator of the Sheldon
Art Gallery,
Established in 1931, in Andover, Mass., the Addison Gallery of
American
Art sits on the campus of the Phillips Academy, founded in 1785, the
oldest
boarding school in the United States. Its major donor, Thomas Cochran,
established
the museum and its art collection for the express purpose of facilitating
the study of the visual arts within the educational mission of the
Academy.
Parallel Perspectives surveys the aesthetic diversity of American art
from 1890-1930 through these two significant collections of American art.
The exhibition focuses attention on one of the most important periods in
the history and development of American art as American artists were for
the first time confronted with European modernism. Parallel Perspectives
tells the story of these various engagements.
Featured are paintings, sculptures, and works on paper by such diverse
artists as George Inness, Ralph Blakelock, George Bellows, Patrick Henry
Bruce, Arthur B. Davies, Stuart Davis, Robert Henri, Gaston Lachaise, and
Georgia O'Keeffe, among many others.
Parallel Perspectives is the second of four collaborative exhibitions
between the Addison Gallery of American Art and collections of important
teaching museums around the country made possible by The Henry Luce
Foundation,
Inc., through the American Collections Enhancement Initiative. The
exhibitions
are intended to foster collaborative work between institutions with
significant
collections of American art. Additional support was provided by June and
Paul Schorr.
A brochure featuring full-color reproductions and an interview with
Siedell
and Faxon by art historian William C. Agee is available through the
Sheldon
Gift Shop.
Siedell will present a gallery talk on the work of Parallel
Perspectives:
Early Twentieth-Century American Art at 12:15 p.m. April 19, as part of
Sheldon's "Wednesday Walks" series, which takes place on the
third
Wednesday of each month, September through May. The public is encouraged
to attend.

High School Swim Championships Featured on NET
High school swimming teams from across the state will compete for
boys'
and girls' state titles when "Nebraska High School Swimming
Championships,"
airs live at noon Feb. 26 on the statewide Nebraska ETV Network.
Calling the action of the four-and-a-half-hour competition, telecast
from the Bob Devaney Sports Center, will be former University of Nebraska
women's swim coach Ray Huppert, with color commentary provided by former
Husker swimmer and Big 8 champion Matt Rye.
The swimming competition also will be "webcast" on Nebraska
Educational Telecommunications' web site, http://net.unl.edu.
Statewide Examines Omaha Arena Proposal
Nebraskans across the state could feel the effect when Omahans go to
the polls May 9 to vote on a proposal to build a $281 million downtown
arena
and convention center, according to an in-depth report airing at 8 p.m.
March 3 on Statewide, the Nebraska ETV Network's weekly magazine
series.
The series, which includes up-to-the-minute news reports from across
the state and other features of interest, repeats at 1:30 p.m. March 5.
Statewide also airs on EduCable at 3 p.m. March 5.
Statewide correspondent Bill Kelly will examine plans that community
and business leaders have proposed for a convention center and arena for
downtown Omaha. Proponents claim the 17,000-seat facility is needed
because
Omaha's existing convention center is too outdated and lacks the seating
capacity needed to attract major conventions and performers. Kelly's
report
includes interviews with proponents of the facility, the arena's
architects
and residents who feel the city has many questions to answer about
financing
and civic priorities.
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