Changing Hands: Industry, Evolution, and the Reconfiguration of the Victorian Body
(University of Michigan Press. Hardback and paperback release June 2015.)
Availablle on University of Michigan Press' website and AmazonShortlisted for the 2015 British Society for Literature and Science Book AwardHighlighted for the 2015 North American Victorian Studies Association (NAVSA) Book Prize
Novel Bodies: Idiomatic Representation and the Development of Fiction
(Currently supported by a two-year grant in Digital Textual Studies from The National Humanities Center)
Victorian Handedness: Essays on Nineteenth-Century Manual Culture
Co-Edited with Sue Zemka (Under Contract Review)
Italy in the Victorian Imagination
“Body Borders.” Keynote Speaker at the Midwestern Conference on Literature, Language, and Media. Northern Illinois University. DeKalb, IL. 2018
“Digital Humanities and Analogic Scholarship.” Department of English. University of Colorado. Boulder, CO. 2017
“Digital Dombey.” The Dickens Universe. University of California, Santa Cruz. 2016
“Corpus Extraction, Idiomatic Expression, and Bodies of Victorian Prose.” Digital Humanities Symposium. Iowa State University. Ames, IA. 2015
“Thackeray’s (In)Visible Manipulation in Vanity Fair.” Victorian Studies Association of Ontario. York University. Toronto, ON. 2011
“The Body.” Oxford Bibliographies in Victorian Literature. Ed. Juliet John. Oxford University Press. (Forthcoming)
“Handling George Eliot's Fiction.” George Eliot and Twenty-First-Century Criticism. Ed. Jean Arnold and Lila Harper. London: Palgrave Macmillan, 2019.
“Teaching Persuasion in Multiple Contexts.” Approaches to Teaching Persuasion. Ed. Marcia Folsom and John Wiltshire. New York: MLA Publications, forthcoming.
“Networked Manufacture in Charlotte Brontë’s Shirley.” Victorian Studies 55:2 (Winter 2013): 231-242.
“On Charles Bell’s 1833 Bridgewater Treatise The Hand.” BRANCH: Britain, Representation, and Nineteenth-Century History.
“Biography of William Makepeace Thackeray.” Critical Insights: Vanity Fair by William Makepeace Thackeray, Ed. Sheldon Goldfarb: Hackensack: Salem Press/EBSCO, 2011. 16-21.
“Handling the Perceptual Politics of Identity in Great Expectations,” Dickens Quarterly 27: 3 (September 2010):185-208.
“At the Hands of Becky Sharp: (In)Visible Manipulation and Vanity Fair,” Victorians Institute Journal 38: 1 (2008): 167-191.
“An Objective Aural-Relative in Middlemarch,” SEL: Studies in English Literature 1500-1900 47: 4 (Autumn 2007): 921-941.
“Truth in Timbre: Morrison's Extension of Slave Narrative Song in Beloved,” African American Review 37:1 (Spring 2003): 95-103. Reprinted in Contemporary Literary Criticism (Gale) 194: 1 (2005): 237-242.
“George Eliot's Italian Sociability.” North American Victorian Studies Association/ Australian Victorian Studies Association. Florence, Italy 2017.
“Italian Radicalism in George Eliot's Felix Holt.” North American Victorian Studies Association. Phoenix 2016.
“Digital Dombey.” The Dickens Universe. Santa Cruz 2016.
“The Manual Turn in Victorian Studies.” Panel Organiser with Pamela K. Gilbert and Sue Zemka
North American Victorian Studies Association. Honolulu 2015.
“Computational Contexts and Dickensian Depths.” MLA. Vancouver 2015.
“Hands and the History of Nineteenth-Century Embodiment.” Nineteenth-Century Studies Association. Boston 2015.
“Classifying Dickensian Classes by Hand” North American Victorian Studies Association. London, ON 2014.
“Novel Handwriting.” North American Victorian Studies Association. Pasadena 2013.
“Surface Reading by Hand: The Manual Turn in Nineteenth-Century British Literature.” Special Session. MLA. Boston 2013.
“Networked Manufacture in Shirley.” North American Victorian Studies Association. Madison 2012.
“Puppetry and Play in Vanity Fair.” North American Victorian Studies Association. Nashville 2011.
“Prophetic Vision in Daniel Deronda.” Victorian Futures Conference. The Dickens Universe. Santa Cruz 2011.
“Wuthering Heights and 21st-Century Undergraduates.” The Brontë Festival. Joslyn Castle and Joslyn Art Museum Trust. Omaha 2011.
“(In)Visible Manipulation in Vanity Fair.” Invited speaker to the annual meeting of the Victorian Studies Association of Ontario: Victorian Variations on Hands, Handling, and Underhanded Behaviour. Toronto 2011.
“Sacred Kinship: The Hand and Banner in George Eliot,” Interdisciplinary Nineteenth-Century Studies Association. Austin 2010.
“Handling Animality in Dickens,” The Dickens Symposium. Providence 2009.
“Embodiment in George Eliot's Realist Aesthetic,” NeMLA. Boston 2009.
“Judaism, Kabbalah, and the Tensility of Sympathy in Daniel Deronda,” International Conference on Narrative. Austin 2008.
“The Material Thackeray” (Panel Co-organizer) North American Victorian Studies Association 2007.
Editorial Board Member, Dickens Quarterly (Johns Hopkins UP)
Digital Textual Studies Seminar/Grant. National Humanities Center. 2015-16
College of Arts and Sciences ENHANCE Research Grant, University of Nebraska 2014
NINES Fellowship to Digital Humanities Summer Institute 2011
Edgar F. Shannon Post-Doctoral Fellowship, University of Virginia 2009-2010
Thomas Griffis Prize for Literary Criticism, University of Virginia 2009
Presidential Doctoral Fellowship, University of Virginia 2001-2006
Wylie and Lucy Sypher Scholarship, Bread Loaf School of English 2000
College of Arts and Sciences Distinguished Teaching Award 2015 (University of Nebraska)
Dr. Frank Finger All-University Award for Teaching, University of Virginia 2006
Seven Society Honoree for Classroom Excellence, University of Virginia 2005
Outstanding Graduate Teaching Award, University of Virginia 2005-2006
Modern Language Association
North American Victorian Studies Association
Interdisciplinary Nineteenth-Century Studies Association
NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship)
Digital Humanities Summer Institute (University of Victoria)
The Dickens Project and Universe
Victorian Literature and Culture
Manuscript Reviewer for Routledge
Victorians Institute Journal