Selected Publications and Projects
The Only Wonderful Things: The Creative Partnership of Willa Cather and Edith Lewis. New York: Oxford UP April 2021.
American Women Authors and Literary Property, 1822-1869. Cambridge: Cambridge UP, 2005 (pbk 2010) (chapters on Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Jane Evans, and Mary Virginia Terhune).
With Ellen Foster, co-editor Clarence; or, a Tale of Our Times (1830) by Catharine Maria Sedgwick. Peterborough, ON: Broadview, 2011. Honorable Mention, Society for the Study of American Women Writers Edition Award, 2012. Introduction available here
With Guy Reynolds, co-editor Willa Cather and Modern Cultures. Cather Studies 9. Lincoln: U of Nebraska P, 2011 and on the Cather Archive
With Pamela T. Washington, co-editor, E.D.E.N. Southworth: Recovering a Nineteenth-Century Popular Novelist. U of Tennessee P, December 2012. Introduction available here
Project Director of a digital edition of Every Week Magazine (1915-1918).
Associate Editor, The Complete Letters of Willa Cather, funded by an NEH Scholarly Editions Grant.
Selected Recent Articles
(many of these and others available on the UNL Digital Commons)
“Willa Cather’s Letters in the Archive,” Tulsa Studies in Women’s Literature special issue on “Women and Archives,” 40, no. 1 (Spring 2021): 95-118.
“What Was Boston Marriage?: Sarah Orne Jewett and Biography,” J19: The Journal of Nineteenth-Century Americanists, in Forum feature “Not Quite a Turn: Rethinking Biography and Evidence,” 9, no. 1 (Spring 2021): 129-135.
“Writing, Revising, and Promoting The Professor’s House: New Evidence of Willa Cather at Work.” Willa Cather Review. 62, no. 2 (Winter 2021): 32-40.
“Willa Cather in the Denver Times in 1915 and New Evidence of the Origins of The Professor’s House.” Legacy: A Journal of American Women Writers, 35, no. 2 (December 2018): 187-209.
“Willa Cather on ‘A New World Novelist’: A Newly Discovered Essay from Vanity Fair in 1920.” American Literary Realism 50, no. 2 (2018): 164-79.
“‘Live Property’: Willa Cather’s 1926 Revisions to the Introduction of My Antonia and the Specter of Nineteenth-Century Women’s Regionalism.” In “Something Complete and Great”: The Centennial Study of My Antonia, ed. Holly Blackford. Madison: NJ: Fairleigh Dickinson University Press, 2017. 81-101.
“Yet More Cather-Knopf Correspondence.” Willa Cather Review 60, no. 2 (Winter 2017): 2-10.
“The Composing, Editing, and Publication of Willa Cather’s Obscure Destinies Stories.” Scholarly Editing: The Annual of the Association for Documentary Editing 38 (2017)
“Buried in Plain Sight: Unearthing Willa Cather’s Allusion to Thomas William Parsons’ ‘The Sculptor’s Funeral’,” Studies in American Fiction 43.2 (2016): 207-229.
“Willa Cather Editing Sarah Orne Jewett.” American Literary Realism 49.1 (2016): 63-89.
“The Transatlantic Village: The Rise and Fall of the Epistolary Friendship of Catharine Maria Sedgwick and Mary Russell Mitford.” Edinburgh Companion to Nineteenth-Century American Letters and Letter-Writing, Eds. Celeste-Marie Bernier, Judie Newman and Matthew Pethers. Edinburgh: Edinburgh UP, 2016. 538-553.
“American Novelist Catharine Sedgwick Negotiates British Copyright, 1822-57.” Yearbook of English Studies 45 (2015): 196-215. Topic: Book History and Literature, eds. Stephen Colclough and Sandro Jung.
“Willa Cather, Sarah Orne Jewett, and the Historiography of Lesbian Sexuality.” Willa Cather and the Nineteenth Century (Cather Studies 10). Ed. Anne L. Kaufman and Richard H. Millington. Lincoln: U of Nebraska P, 2015. 3-37.
With Terry Heller, "'The Other One': An Unpublished Chapter of Sarah Orne Jewett's Country of the Pointed Firs," J19: The Journal of Nineteenth-Century Americanists 2.2 (2014): 133-167.
“Willa Cather, Edith Lewis, and Collaboration: The Southwestern Novels of the 1920s and Beyond.” Studies in the Novel 45.3 (2013): 408-431.
“From Periodical to Book in her Early Career: E. D. E. N. Southworth’s Letters to Abraham Hart.” Legacy: A Journal of American Women Writers 29.1 (2012): 115-47.
“The Shape of Catharine Sedgwick’s Career.” Cambridge History of American Women’s Literature. Ed. Dale Bauer. Cambridge: Cambridge UP, 2012. 185-203.
Introductions and Bibliographies
Introduction, The Song of the Lark by Willa Cather. New York: Signet Classics, 2007.
Lucinda L. Damon-Bach, Allison J. Roepsch, and Melissa J. Homestead. “Chronological Bibliography of the Works of Catharine Maria Sedgwick.” Catharine Maria Sedgwick: Critical Perspectives. Ed. Lucinda L. Damon-Bach and Victoria Clements. Boston: Northeastern UP, 2002. 295-313.
Melissa J. Homestead and Vicki L. Martin. “Chronological Bibliography of E.D.E.N. Southworth’s Works Privileging Periodical Publication.” E.D.E.N. Southworth: Recovering a Nineteenth-Century Popular Novelist. Melissa J. Homestead and Pamela T. Washington, eds. Knoxville: U of Tennessee P, 2012. 285-306.
Courses Regularly Taught
Graduate seminars on women writers (including Willa Cather) and Nineteenth-Century Studies
Undergraduate classes in women writers and nineteenth-century American literature